Rumor Review: Sudhir Mishra’s Lesson for Viral Video Makers, Nawaz and Bhumi’s Real Breakup

Like Sudhir Mishra’s classic film ‘Iss Raat Ki Subah Nahin’, the story of the film ‘Afwaah’ seems to take place mostly in one night. The basic premise of the story is similar that a person from the corporate world becomes the target of the people of the crime world due to an unknowing act. After this both the films have a similar flow. The hero does not retreat, just keeps running for his life. Sudhir Mishra’s personality has been such that he wants to say everything on Sting. But, while he is eager to get his point across the camera to the big screen, he fails to serve it up to the changing tastes of the times. Ever since ‘Ye Sali Zindagi’, he has been in a quandary as to how to combine the filmmaking of his era with the stories of the new era. If he can rekindle his skills by avoiding redundant statements, he still has a lot to say through cinema.

At the center of the story of the movie ‘Afwaah’ is the daughter of a big leader. This character is played by Bhumi Pednekar. She is an artist of Yash Raj Talents, a subsidiary of Yash Raj Films. Films are also getting bigger than her stature in cinema, but Bhumi is not working too hard to promote herself. A similar pattern of his characters speaking the truth has started to form in his films as well. After the film ‘Pati Matthiya Aur Wo’, her career has stalled. From ‘Shubh Mangal Kadhi Saadhan’, ‘Bhoot’, ‘Dolly Kitty Aur Wo Chamkate Sitare’, ‘Durgamati’, ‘Badhai Do’, ‘Raksha Bandhan’ to his previous films like ‘Govinda Naam Mera’ and ‘Bheed’. are only Bhumi needs directors who can help her understand all the acting tricks she has learned so far and give a new look to her natural acting. His monotonous acting is the biggest speedbreaker in his journey from hesitating, arguing and going to the extremes of being excited instead of putting his point across concretely. If he goes further than this, then something better can be expected from him in roles like the movie ‘Afwah’.

The hero of the film is Nawazuddin Siddiqui. His character continues to narrate a fictional story in his stage productions. He moves through the audience to engage with them. Also sits on platform steps. Wears branded clothes. Wears stylish glasses. His car is also automatic. But, what this character really is, how much truth there is in what he says and how strong he is from within, all these things that director Sudhir Mishra tries to create in half of the film, the same in the rest of the film. is This confusion of the character of Uda Deo does not allow the audience to empathize with Nawazuddin’s character till the end. Sumit Vyas has a better character in the film. Whenever a young leader tries to shine in national politics with the help of social media, his flight is reversed when the ground reality comes to light. On the other hand, seeing Sharib Hashmi on screen for the first time makes it clear what he is going to do next.